Showing posts with label Susan T. Moss - poet. Show all posts
Showing posts with label Susan T. Moss - poet. Show all posts

Tuesday, March 4, 2014

At the Still Point

photoart: ralph murre


At the Still Point
by Susan T. Moss                 

Fixed gazes stare from the museum’s
glass cases filled with stuffed
and groomed New England wildlife,
a collection to refashion nature’s
nuances in rainbow hues and textures.

A barred owl gnaws a dead mouse,
a mounted cougar crouches in wait,
two beavers chisel birch logs –
all forever feathered and furred.

Outside, stars salute the cool night,
bronze and russet festoon
the season while tarnished plants
spill spice and musk.

Through the dark,
my warm breath spirals in rhythm
with pitched trills of one bird
that refuses sleep.



~ first published in After Hours

Tuesday, January 14, 2014

Beyond the Potomac



                            Beyond The Potomac
                                     by Susan T. Moss
 
                                    Lincoln sits in stony silence
                                    with sleepless gaze while American
                                    soldiers shrouded in ponchos and helmets
                                    stride the Korean monument
 
                                    near a black wall sanctifying
                                    thousands who might have wondered
                                    had they lived past Vietnam
                                    what message this dark testament
 
                                    could offer those remembered
                                    in a registry at the
                                    laurel-crowned spectacle
                                    for the bloodied honor of World War II.
 
                                    And this spring a hawk swiped a sparrow
                                    and last night a coyote got the Wilsons’ dog.
                                    Destruction flies on fragile wings
                                    or stalks with hungry defiance
 
                                    through our neighborhoods and lives
                                    as we wonder what fear looks like and
                                    how to measure it in a form easy to grasp
                                    when carnage howls at our doorstep.
 

                                    ~ first published in Out of Line

Saturday, March 23, 2013

Museum Skeleton

photo: ralph murre


 Museum Skeleton
                                                 by Susan T. Moss

                                                She doesn’t say to shed
                                                one’s skin.  She doesn’t say
                                                to burn brighter, work harder,
                                                pray more.

                                                She says nothing, stands erect,
                                                raised from another era
                                                when daily life had to be
                                                gathered by the handful,

                                                protected from others
                                                who only wanted their share
                                                of what became obsolete
                                                and unfathomable.

                                                We can see further,
                                                collect more, button ourselves
                                                against fierce winds that stir
                                                what she too

                                                might have felt on joyless nights
                                                with only a spark to reveal
                                                the insights we keep at arm’s length –
                                                and still the fear of the dark.

                                               
                                                ~ first published in After Hours