Showing posts with label Charles Rossiter - poet. Show all posts
Showing posts with label Charles Rossiter - poet. Show all posts

Tuesday, March 10, 2015

25.

photoart: ralph murre


25.
by Charlie Rossiter

Some mornings it’s so cold
the car won’t start on the first try,
or the second, or the third.
In youth, that made me
hit the dashboard.
Now I simply sigh
go back inside,
take out a book,
get on with my life.

~ previously published in Winter Poems

   (FootHills Publishing)

Wednesday, January 7, 2015

Last Poem



Last Poem
                        (for Jim Hazard)
by Charles Rossiter

Could this be Jim's last poem
here in the Calendar?
Oh Boy Is It Snowing,
a poem full of energy
with a touch of humor,
so like him
complete with an exclamation point!
And there are parentheses,
in fact two parentheses,
or is that called two pairs of parentheses?
I'm not sure, and a couple of
Emily Dickinson-style dashes
in the final stanza.  He often
mentioned Emily.  I like to think
he'd be glad somebody noticed.


~ prev. published in Wisconsin Poets’ Calendar

Sunday, November 24, 2013

Blissing on the Season's First Snowfall

photo: sharon auberle


Blissing on the Season’s First Snowfall
by Charles Rossiter

I light a morning candle
and lift my cup of espresso

the hiss of the old radiator
purrs to me like a friendly cat

I lift my cup of espresso
and wish a silent wish

blissing on the season’s first snowfall
listening to the hiss of the old radiator

the kiss of morning espresso steam
rising to disappear in pearly air

outside, snow falls silent as a stalking cat
the candle flickers in columns of warm

air rising, I lift my cup of espresso
to the single silent wish, to always

and forever to this much love my life.



~ first published in the Paterson Literary Review

Thursday, March 7, 2013

Our Way

cover art: emmett johns


Our Way
by Charles Rossiter

Outside the American dream
we haunt highways and streetcorners
through dirty blues and doo wop days
barrooms and coffeehouse nights
we search for friends, for truth, for love
on feather beds and oriental rugs
in dim cafes
barefoot on burning sand
we raise a glass
to electric skies gone crimson
we honor the days, the times
the ways of ancestors long gone
     who made us who we are
          who we are


~ previously published in Back Beat
   1st ed. (Cross + Roads Press)
   2nd ed. (Fractal Edge Press)

Thursday, November 1, 2012

At the Poetry Party

photo: ralph murre


At the Poetry Party
                                    (Day of the Dead, 2001)
by Charles Rossiter

allen ginsberg was pumping his harmonium
and trying to sing the blues
kenneth patchen was issuing proclamations
and flying paper planes around the room
with wings made from cartoons

emily was there in a new white dress
raymond carver chain smoked
in the corner with tess
who had a dispensation same as me
to party with the living dead

sylvia wrapped her long dark hair
around her little finger
muttering about her dad and ted
anne sexton talked to maxine on her horse farm
with the phone held tight against her head

bob kaufman didn’t say a thing
rexroth and the frisco crew
bantered about the beat invasion
james laughlin sipped his wine
and chatted with a group of women
jack k. took notes in pencil
with his bottle in a bag

and the cats from the new york school sat back
and played it cool, they only drank a little
more than william carlos williams
and walt whitman who knew
they had a certain something to maintain
as father figures for us all which brings us to
gertrude stein who sat and sipped her wine
complacent as a rose without a name
without a name
without a name
without a name
   without a name


~ previously published in Whetstone

Tuesday, June 26, 2012

Listen

cover art: emmett johns


Listen
by Charles Rossiter

I'm the voice of the old ways
that can take you back to the days
of grandparents when things were
one telephone and one tv set
per household, wringer washers,
78rpm, ice boxes, victrolas
and people who owned cars
were on top of the world.

I'm the voice of the unpaved road
dusty, pock-marked and ribbed
by spring rain, I can take you places
the long straight interstate
never imagined where the air is clear
and the woods are deep,
places that make you want to
throw your head back
look up at the stars
and breathe.

I'm the voice of the front porch
where you can sit sipping iced tea
and talk to the neighbors
and your children, about nothing
but the day behind you
and the night ahead
as the world slips by.

I'm the voice of your own music
that doesn't need an agent
or a stage or even a microphone.
I'm the song inside you that talks about
where you've been and how you feel.
I'm the high note you can't quite reach
but sing out anyway, loud and long.

I'm the voice of the hearty handshake
the arm around the shoulder
the straight-forward look in the eye
that says hello friend, we're here together
you and me, let's enjoy it
while we can.


~ previously published in Back Beat (Cross + Roads Press)

Monday, April 2, 2012

at a hip east side restaurant


at a hip east side restaurant
. . . . . . . . . . . . (Milwaukee, 2001)
by Charles Rossiter

where the grains heap high
. . . . . . and dark meat is taboo
cell phones twitter softly

. . . . . .the clientele is
multi-racial tolerant, straight
gay, lesbian, east side liberal
middle-class,

. . . . . . . . . . . .the waitstaff
are caucasians in uniform
LL Bean khakis
and blue oxford shirts
tastefully
delivering food and drink

. . . . . . . . . . . .a young black man
with a head full of dreadlocks
walks among the tables
with pitchers of water and coffee

. . . . . . .a gangly Chicano teen
with the Virgin of Guadeloupe
tattooed on his wiry bicep
circles the room to clear the tables
of everything
the customers have left behind
except the tips

everyone going about his
or her business

customers, waiters, busboys,

as if they had agreed beforehand
to be hip, blase, and
. . . . . . . . . . . . . . color blind


~ originally published in Thirdspace

Monday, February 13, 2012

LOVERPOEM



photo: susan deer cloud


Loverpoem
by Charles Rossiter

the basement kitchen
stood up
straight and tall
but you,
you stooped
again and again
getting out the
dinner things
like some great
descending
bird all
grace
and form with
eyes that see
forever
past the simple
solid things you
touch and place
upon
the table or
the roaring flame
with Buddha care
and reverence
you stir the
boiling pots
mix the secret
spices
take the bread and
place it on
the rack, stretch
and breathe and
call to me,
whose poor soul
is spotted
with countless
imperfections
to feast
and be cleansed in
your holy
candlelight

~ originally published in the Bugle-American