Showing posts with label Constance Vogel Adamkiewicz - poet. Show all posts
Showing posts with label Constance Vogel Adamkiewicz - poet. Show all posts

Sunday, May 19, 2013

Insomnia




Insomnia
by Constance Vogel Adamkiewicz

Eyes squeezed shut, you watch a mangled newsreel of your life.  
The floor rumbles.  Something has unearthed the earth,
a great exhalation as if the whole world has breathed out.
The dog pricks up her ears, paces the bare floors,
her nails a metronome - click-click, click-click,
from twelve to two o’clock, when the bear 
of darkness crawls from its cave.
Drowsy, you plod to the porch,
where the dog has led you.
She stands, a statue peering out.
In the stillness you expect something 
to blast across the lawn - a coyote
with a bloody rabbit in its jaws, a burglar
with your jewelry in his burlap bag, or worse. 
Wide awake till dawn you rock in the wicker chair 
watching the black holes between the hostas and ferns.  
You can deal with a coyote or burglar, but not with your life.

~ first published in Willow Review

Monday, March 4, 2013

The Mourning Dove

artwork: ralph murre


The Mourning Dove
by Constance Vogel Adamkiewicz

Exists on half a ration -- the charity of sparrows'
seed dropped beneath the feeder

where she nestles in the grass,
stretching her wings.

Even a nudge from the old dog's nose
or a launching pad of my cupped hands

does not make her fly, only skim the ground
before returning to the hollow she created.

Why has she stayed, these long days,
repeating her same sad coo,

risking hunter hawk or cat
when she could fly away?

What keeps her from taking
that one grand liftoff

before winter's white hand grips her
and all she can do is look afar

to the place she might have reached a long time ago
and her eyes close under the weight of snow?



~ first published in Moon Journal

Friday, November 2, 2012

A Pair of Shoes

photoart: ralph murre


A Pair of Shoes
by Constance Vogel Adamkiewicz

In an alley lined with dumpsters
where only rats want to forage
stands a pair of shoes--
men's, crow-black and shiny,
slightly creased as if worn only once.
Not discarded on their sides
but upright, as far apart
as the man who wore them
might have stood.

Yet, who, no matter how foolhardy
after a night on the town,
who would run shoeless down this gangway
of stones and broken glass?

Not that I abhor the waste,
but the sight of them, like broken birds,
makes me fear
something bad has happened.

Maybe no one is missing,
but someone watching
behind the curtain of a high window,
camera on the sill waiting to shoot
a film noir of the passer-by
who stops, examines the soles,
tries them on and wobbles off like Chaplin.
Someone who looks around first
as if a bomb might go off.


~ first published in After Hours

Tuesday, September 11, 2012

Drought

photo: ralph murre


Drought
by Constance Vogel Adamkiewicz

When I was a child, a greenhouse seemed exotic--
poinsettias peering out at snow.
Easter lilies white as wedding gowns.
glass mysterious with the breath of plants.
Now, we all live in one,
the sun a giant gro-light,
the air a maze of halogen.
No pounding on the glass will set us free.

Someday from the lemur-eyes of gas masks,
we will see faint outlines of our ghosts --
lisping breath of proboscis-hoses.
Stunted corn will be plowed under
for wheat fields that do not germinate.
Shriveled leaves will blanket the ground
white as drifts of snow
that once held the prints of angels.

Sleds will hang on museum walls,
children's ice skates rest behind glass.
If science concocts a giant mirror, pale antidote
to deflect sun, will it crack like a glacier?
Children, ask grandpa, when you gather at his knee,
to tell you about when there were birds
who rode on air you couldn't see.


~ previously published in Earth First!

Monday, February 20, 2012

STONE

photoart: sharon auberle

Stone
by Constance Vogel Adamkiewicz

Beside a marker in the park
a fallen plastic champagne flute, empty
vase of dented brass, a cherub
propped up on her elbows, smiling
at the granite day.

Before the last lamppost
where the winding path divides,
I turn into a nearby woods--
a circle of buckthorn, thicket and oaks
bordered by a river branch,
a place where symbols
are carved on trees,
a sweatshirt once hung upon a cross,
a handgun box jumped in the wind.

I wonder if a sudden parting
...of the water,
a sun ray through the thatch
will tell me where you went
...and why so soon.
But the river flows as always, confusing
the path,, the snowmelt and sticks.
White lichen clings to tree bark
like clues in a treasure hunt.

When I reach the circle's end,
the still-empty glass and the battered vase,
the cherub smiles like a discount statue
...in an outdoor marketplace,
its chiseled eyeballs staring hard as stone.

~ previously published in The Mulberry (Finishing Line Press)